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"When I made this song, I was at One Sound Studio in Memphis, South Memphis. I recorded “Shotta Flow” there, “Shotta Flow 2” there. That was where I recorded my first song at, actually. The first song I ever recorded. One Sound’s home, pretty much. Minus, he sent the beat to my phone. He did the “Shotta Flow” beat. I worked with him in the past. I was like, “Bruh, this beat a song,”. I was tryin to dissect it. I was like, “What i'mma do wit it?” And I had to just listen ‘til I really found out what I wanted to do with the beat. I usually freestyle on my songs. But I wrote most of this song. I wrote the hook. The hook especially 'cause I knew that was the grabber of the song. That was the part I really, know what I’m sayin’, put my most focus on. When I said, “Before you try rob, hit your knees and pray to Buddha,” from that point on it was a freestyle. That was a freestyle from that point on. I usually, if I write, I don’t ever write two verses cause I don’t really have that much time. I write one verse and then I say, “Imma just freestyle the other verse.” When I made the song and it was done I was like, “Yeah, it’s hit, for sho.” I think with “Capo” I made it a bit more melodic and stuff just because I wanted to do somethin' different. I’m tryin' to stay different. It’s just somethin' clicked in my head like, “Bruh, do this. This shit is gon' be hard.” And I changed it up, and when I made this song I was like, “Bruh, this, know what I’m sayin, it’s a slap on God.”-NLE
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